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Food & Fashion at the Museum at FIT

Submitted by on September 1, 2023 – 12:10 amNo Comment

Food & Fashion, Museum of FIT, New York CityThe Museum at FIT (MFIT) opens Food & Fashion, September 13, 2023 that explores the impact of food and food culture on fashion design. It runs through November 26, 2023.

Food & Fashion includes more than 80 garments and accessories by designers including Chanel, Moschino, and Stella McCartney. It is co-curated by Melissa Marra-Alvarez, MFIT’s curator of education and research, and Elizabeth Way, the museum’s associate curator of costume.

In 2023, The New York Times reported that food motifs are “the new florals” in fashion. Food and fashion are both central to our daily lives, speaking to people’s most basic needs, while also expressing individual and cultural identities. This exhibition examines how food has influenced fashion design from the 18th century to today and how food themes and motifs are used to comment on topics such as luxury, gender, consumerism, sustainability, social activism, and body politics.

The exhibition begins in the introductory gallery with a section titled “A Day of Food as Fashion,” where visitors travel from breakfast to dinnertime, exploring the prevalence of food themes in our clothes. The first four sections, presented as intimate tableaus, include “The Fashion Kitchen,” “The Market,” “The Fast Food Diner,” and “The High Fashion Restaurant.” The fifth section, “The Camera Eats First,” looks at social media as the omnipresent space where food and fashion come together throughout the day.

Food & Fashion, Museum of FIT, New York CityThe exhibition continues in the main gallery, which is designed to invoke an expansive “food hall” that includes stalls exploring 10 themes. The first is “Haute Couture/Haute Cuisine,” which looks at the history of these twin aspects of French luxury and features a sumptuous candy pink damask gown, circa 1765. “Dressing to Dine” illustrates the ways that mealtimes dictated the dress of elites who wore specialized gowns for tea, dinner, and cocktail hour. “A Feast for the Eyes” delves into how food, fashion, and art have collided in contemporary fashion design. It includes examples by Comme des Garçons, whose spring 2018 dress features Giuseppe Arcimboldo’s 1590 food portrait of Emperor Rudolf II, and Stephen Jones’s delectably surrealist peanut butter-and-jelly-sandwich hat. “The Fashion Cookbook” shows how fashion designers have expanded their brands through cookbooks that channel their aesthetics and values.

“We Eat What We Are” examines how cultural representation is expressed through food and dress. Both are distinctive expressions of national and ethnic communities. On view is an ensemble by Tremaine Emory of Denim Tears, who partnered with Sky High Farms Workwear on a collection celebrating the Black American foods he grew up eating in Jamaica, Queens, such as okra and black-eyed peas. An ensemble by the Singapore-based brand Reckless Ericka draws on the country’s renowned food culture by depicting chili crab and durian as part of their “Singapore Food Series.” Japanese designer Issey Miyake marked the 20th anniversary of his Soho store with a “bento box” of pleated accessories rolled as sushi. Other featured designs are by the Italian duo Dolce & Gabbana, Chinese American designer Sandy Liang, and the Mexico City–based Carla Fernandez.

“Sugar, Spice, and Everything Nice?” unpacks the relationship between food and gender identities, specifically sweets and femininity. Junya Watanabe’s spring 2001 pearl and dessert-printed dress expresses the connection between sweets and the complex idealization of femininity. Other pieces featured include Judith Leiber’s ice cream and donut rhinestone minaudière, the Shoe Bakery’s layer cake platform pumps, and a tiered chiffon dress by Jean Dessès resembling a decadent dessert.

Food & Fashion, Museum at FIT, New York City“Activism and Protest” examines the ways in which fashion takes cues from food movements to address the need for social justice and activism. Rick Owens partnered with the United Farm Workers’ Union for his spring 2020 collection to highlight the ways food workers have resisted exploitation. Sustainability is explored in “Growing Alternative,” which explores how slow fashion is inspired by slow food, embracing techniques such as regenerative farming. Mimi Prober’s spring 2021 “Garden and Plate” collection, for example, uses avocado and pomegranate-dyed fabrics. “Fashion From Your Fridge” highlights how technologies have supported? sustainability, transforming food-waste materials into fashion fabrics. A 1920s gown features sequins made from fish gelatin, while Marina Hoermanseder’s fall 2020 collection features Piñatex, a leather alternative made from pineapple waste.

“Consuming Bodies” explores fashion’s complex relationship with food as it relates to “the fashionable body.” A preference for thinness ruled the 20th century; however, the contemporary brand Chromat directly challenges the idea that only thin bodies are beautiful. Its fall 2018 show featured diverse bodies with models eating Flamin’ Hot Cheetos as they strutted down the runway.

Food & Fashion is a multifaceted look at how intertwined these genres are and what they can express about our culture and society. Bon appétit!

The exhibition is accompanied by the book Food & Fashion (Bloomsbury, 2023) and a symposium scheduled for November 3, 2023.

Food & Fashion, Museum of FIT, New York City

About The Museum at FIT (MFIT)

The Museum at FIT, which is accredited by the American Alliance of Museums, is the only museum in New York City dedicated solely to the art of fashion. Best known for its innovative and award-winning exhibitions, the museum has a collection of more than 50,000 garments and accessories dating from the 18th century to the present. Like other fashion museums, such as the Musée de la Mode, the Mode Museum, and the Museo de la Moda, The Museum at FIT collects, conserves, documents, exhibits, and interprets fashion. The museum’s mission is to advance knowledge of fashion through exhibitions, publications, and public programs.

The museum is open Wednesdays, Thursdays, and Fridays from noon to 8 pm, and Saturdays and Sundays from 10 am to 5 pm. Admission is free.

About the Fashion Institute of Technology

A part of the State University of New York, FIT has been a leader in career education in art, design, business, and technology throughout its history. Providing its over 8,000 students with an uncommon blend of hands-on, practical experience, theory, and a firm grounding in the liberal arts, the college offers a wide range of affordable programs that foster innovation and collaboration. Its distinctive curriculum is geared to today’s rapidly growing economy, including fields such as computer animation, toy design, production management, film and media, and cosmetics and fragrance marketing. Internationally renowned, FIT draws on its New York City location to provide a vibrant, community in which to learn. The college offers nearly 50 majors and grants AAS, BFA, BS, MA, MFA, and MPS degrees, preparing students for professional success and leadership in the new creative economy. Calvin Klein, Michael Kors, Reem Acra, Brian Atwood, Dennis Basso, Francisco Costa, Norma Kamali, Nanette Lepore, Bibhu Mohapatra, Ralph Rucci, John Bartlett, Peter Do, Daniel Roseberry, and Michelle Smith are graduates, as are Leslie Blodgett, creator of bareMinerals; international restaurant designer Tony Chi; and Nina Garcia, editor in chief, Elle.

(Photos courtesy of MFIT)

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